Before I Forget by Mark Elsdon video DOWNLOAD

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W tym wideo Mark wyjaśnia metodę i psychologię swojego otwierającego 'Balance', który jest prawdopodobnie jednym z najbardziej niezwykłych technik close-up. Brak fałszywej talii, magnetów, ale talia kart wydaje się niewiarygodnie przeciwko przyciąganiu. Dwa razy!

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• 'No Moves' - ciekawa technika kart z czystym prezentacją (oczekujecie!) która osiąga swój apogeum, gdy wybrana karta niewinnie ucieka z talii i z rąk wykonawcy! Proste do wykonania i całkowicie samonadajne.
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• 'Chaos' - końcowy obszar Marka dla swojej poprzednio promowanej techniki 'Chaos and Order'. To rzadko spotykana w praktyce efekcja samorobna. Jak zawsze, jest znacznie więcej niż to. Ile innych technik kart oferują entropię na całym świecie jako alternatywny koniec?
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• 'Memorisation' - otwarcie dla bardziej formalnej prezentacji lub wykazu. Wydaje się prawdziwe: wykonawca pamięta porządek talii, która została wrogą i podzieloną. Dwa razy udowadnia swoją tezę, a na koniec stawia czołowe wyzwanie, twierdząc, że zapamięta wzory głosu uczestnika.
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• 'Celebrities' - komercyjna wersja techniki 'Fred', która oferuje doskonałą syntezę prezentacji i metody. Posiada szczęśliwą powierzchowność, że jest idealnym sposobem na rozdanie swojej kartki biznesowej.
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• 'Swindl-esque' - niezwykle nieобыczna wizyta w tajemnicy każdego z nas - to prawda, matematyce binarnej! Używając kart liczbowych dla najbardziej matematycznej techniki kartowej, rzeczy stają się dziwne (jak zawsze), gdy Elsdon wydaje się bardziej zainteresowany kolorem nowego kapelusza, który specjalista może lub nie kupić. Wybrana liczba jest odkryta wśród śmiechów.
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• 'Pre-prefiguration' - Markova praca nad efektem Jenningsa. Jest tak czysty i bezpośredni, że jeden z Larry’ego przyjaciół nazwał to najlepszą techniką, jaką widział podczas swojej wykazanej wokrug Wielkiej Brytanii tury. Przyjęta talia kart, serię niezwykle niewiarygodnych przypadek i klimaks z odkryciem niemożliwej prognozy.
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• Mark również udostępnia harmonogram i blokowanie dla swojej techniki 'Karta w ustach' oraz prezentację jednego trącego, który działa zarówno na osobie, jak i publiczności.
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• Ostatecznie, w 'Moim Babciej Księdze' Mark zainteresuje widzów pewną osobistą historią, która obejmuje wiele niezwykłych przypadek związanych z starym książką i pamiątkowymi kartami. Nie mówimy więcej o tej technice, aby jej magiczność działała najlepiej, jeśli nie wiesz, co się stało.

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Oryginalny opis angielski

In this video...
Mark explains the method and psychology behind his opener, 'Balance' which surely has to be one of the most incredible close-up suspensions ever released. No fake deck, no magnets, yet a deck of cards impossibly defies gravity. Twice!
 
'No Moves' is a delightfully clean ambitious card routine (wait, hang on!) which climaxes with the selection eerily creeping out of the deck whilst out of the performer's hands! Again, easy to do and entirely self-contained.
 
'Chaos' is Mark's final handling of his previously marketed 'Chaos and Order' trick. It is that rarest of creatures - a self-working triumph effect. As is Elsdon's way, it is of course so much more than that. How many other card tricks offer entropy throughout the universe as an alternative ending?
 
The opening to a more formal show or stand-up performance, 'Memorisation' looks exactly like the real thing: the performer remembers the order of a shuffled and cut deck. He proves his claim twice and then ups the ante for the finale by claiming to memorise a participant's voice patterns. Packs small, plays massive.
 
'Celebrities' is a very commercial version of the 'Fred' trick which offers the ultimate synthesis of presentation and method and has the happy side-effect of being the ideal way to hand out your business card.
 
'Swindl-esque' offers an unusual visit to everyone's secret passion - that's right, binary mathematics! Using number cards for what looks like the most mathematical card trick ever, things turn odd (as usual) as Elsdon seems to become more pre-occupied with the color of a new hat which the spectator may or may not buy of course, amongst all the laughter the chosen number is revealed.
 
'Pre-prefiguration' is Mark's work on a Jennings effect. It is so clean and direct that one of Larry's friends declared it to be the best trick that he saw during the whole of his lecture tour throughout the UK a few years ago. A borrowed, shuffled deck and a series of escalating, unbelievable co-incidences, climaxing with the revelation of an impossible prediction.
 
Mark also shares the timing and blocking for his handling of card-in-mouth and his presentation for the one rubber band trick that works one-on-one or for an audience of 500.
 
Finally, in 'My Grandfather's Book' Mark engrosses the spectators in some personal history that includes several very unusual coincidences involving an old book and some commemorative playing cards. We don't want to say too much more about this routine, since we know its charm will work best if you don't know what's coming.

Oryginalny opis angielski

In this video...
Mark explains the method and psychology behind his opener, 'Balance' which surely has to be one of the most incredible close-up suspensions ever released. No fake deck, no magnets, yet a deck of cards impossibly defies gravity. Twice!
 
'No Moves' is a delightfully clean ambitious card routine (wait, hang on!) which climaxes with the selection eerily creeping out of the deck whilst out of the performer's hands! Again, easy to do and entirely self-contained.
 
'Chaos' is Mark's final handling of his previously marketed 'Chaos and Order' trick. It is that rarest of creatures - a self-working triumph effect. As is Elsdon's way, it is of course so much more than that. How many other card tricks offer entropy throughout the universe as an alternative ending?
 
The opening to a more formal show or stand-up performance, 'Memorisation' looks exactly like the real thing: the performer remembers the order of a shuffled and cut deck. He proves his claim twice and then ups the ante for the finale by claiming to memorise a participant's voice patterns. Packs small, plays massive.
 
'Celebrities' is a very commercial version of the 'Fred' trick which offers the ultimate synthesis of presentation and method and has the happy side-effect of being the ideal way to hand out your business card.
 
'Swindl-esque' offers an unusual visit to everyone's secret passion - that's right, binary mathematics! Using number cards for what looks like the most mathematical card trick ever, things turn odd (as usual) as Elsdon seems to become more pre-occupied with the color of a new hat which the spectator may or may not buy of course, amongst all the laughter the chosen number is revealed.
 
'Pre-prefiguration' is Mark's work on a Jennings effect. It is so clean and direct that one of Larry's friends declared it to be the best trick that he saw during the whole of his lecture tour throughout the UK a few years ago. A borrowed, shuffled deck and a series of escalating, unbelievable co-incidences, climaxing with the revelation of an impossible prediction.
 
Mark also shares the timing and blocking for his handling of card-in-mouth and his presentation for the one rubber band trick that works one-on-one or for an audience of 500.
 
Finally, in 'My Grandfather's Book' Mark engrosses the spectators in some personal history that includes several very unusual coincidences involving an old book and some commemorative playing cards. We don't want to say too much more about this routine, since we know its charm will work best if you don't know what's coming.