Nephthys by Luca Volpe and Titanas eBook DOWNLOAD

\n\nElektronická kniha Nephthys od Lucy Volpe a Titanase ke stažení

Po velkém ohlasu své první knihy „HORUS“ se Luca Volpe vrací se svým druhým dílem „NEPHTHYS“. V této elektronické knize Luca Volpe začlenil mnoho psychologických aspektů a základních metod k vytvoření ohromujících zážitků, které jsou 100% jisté!! Všechny efekty jsou dodávány s tipy na scénář a výkon.

Zde jsou rutiny, které jsou součástí knihy:

DVOJNÁSOBNÁ PŘEDPOVĚĎ: Neuvěřitelná předpověď titulku s velmi chytrou metodou! Snadno proveditelné a pro diváka neviditelné!!

FOTOSPOJENÍ : Zavoláte na pódium divákovi a předáte mu zapečetěnou obálku, řeknete mu, že uvnitř je něco zvláštního. Požádáte ho, aby zavolal svému příteli a předal telefon vám. Jakmile bude jeho přítel na telefonu, požádáte ho, aby jmenoval slavné město odkudkoli na světě, například odpoví VENICE. Divák na jevišti otevře obálku a najde fotku BENÁTKŮ!

PŘÍMÝ TEST KNIHY (Žádný trikový test): Divák je povolán na pódium a vy ho (nebo ji) požádáte, aby si vybral jednu ze tří knih (žádné trikové knihy!). Jakmile si vybere, požádáte ho, aby otevřel na kterékoli stránce, kterou chce. chce a přečíst první slovo na stránce. Vezmete si prázdnou vizitku, něco si zapíšete a položíte na stůl. Řekne vám slovo a otočí kartu, aby viděl přesně stejné slovo napsané na něm. Požádáte ho, aby otevřel knihu na stejné stránce, ale tentokrát přečetl poslední slovo. Vezmete kartu, která je na stole a na druhou prázdnou stranu něco napíšete, opět bude toto slovo přesně správné. Řeknete mu, aby se otočil na stránku za tou, kterou si vybral, a aby si přečetl první nebo poslední slovo na této stránce, aniž by rybařil nebo cokoli podezřelého, řeknete mu stejné slovo, na které myslí!

ŠESTÝ SMYSL REVISITED : Zavolejte na jeviště diváka, řekněte mu, aby si vzal minci za záda a držel ji v jedné z rukou, vy to také udělejte současně. Poté natáhne ruce dopředu a vy před vámi uděláte totéž. Požádejte diváka, aby otevřel ruku, která drží minci, a vy pak prozradíte, že minci držíte ve stejné ruce jako divák. Uděláte to 3x za sebou!

VIDĚNÍ NA DÁLKU: Osoba na druhém konci telefonu je požádána, aby si představila jednoduchý obrázek. Pak něco nakreslíte na papír. Následně vyfotíte mobilem, který mu pošlete přes MMS. Osoba otevře MMS, aby našla přesnou duplikaci obrázku, na kterou myslel.

DEJA WORDS: Divák si vybere náhodné slovo z balíčku různých slov pod hypnotickou sugescí. Otevře se obálka, která byla po celou dobu na jevišti přítomná, a odhalí se slovo, které si divák zvolil. Na konci experimentu se divák domnívá, že byl zhypnotizován.

POUŽÍVÁNÍ MONOTÓNU HLASU : Nástroj, který zlepší váš výkon pomocí tónu hlasu.

Zde je předmluva Alexandra Marshe :( http://www.psychomagic.co.uk )

„Takže tu sedím s krásným hrnkem teplého čaje a ne méně než třemi čokoládovými sušenkami. Luca mi právě poslal kopii tohoto, svého nejnovějšího díla, a po přečtení si okamžitě připomenu, jak na mě udělalo dojem. poprvé jsem četl Lucovo dílo.
Zdá se, že bez námahy kombinuje jednoduchou a přímou metodologii se snadno srozumitelnými dějovými liniemi, aby vytvořil ohromující efekt na své publikum. Doporučuji vám vzít na vědomí Lucovu práci a to, jak dosahuje svých efektů; je to lekce, jak udržet věci jednoduché, čisté a efektivní. Přestože je zde pár close-up efektů a „v salonu“, Lucova práce opravdu září, pokud jde o jevištní efekty. Je vzácná lahůdka najít interpreta, který vytváří originální efekty pro jeviště, natož aby je publikoval.
Příjemným prvkem Lucova psaní je, že neplýtvá místem tím, že vám říká, jak si myslí, že byste měli jednotlivé efekty prezentovat. Vysvětlí základní efekt, jak jej vidí publikum, a poté vás provede svými metodami, jak toho dosáhnout - jeho metody jsou často nejpřímějším způsobem, jak dosáhnout požadovaného výsledku - nechává zdobení oken na vás a vašem vlastním jedinečném, zajímavém stylu. Vím, že se to v dnešní době stalo klišé, ale tohle jsou efekty pro pracující umělce. Pokud se vaše publikum jen zřídka mění, tj. nevystupujete často pro nové publikum, které vás nikdy předtím nevidělo; pak tato práce nemusí být pro vás.
Pokud na druhou stranu pravidelně vystupujete pro cizí lidi, aktivně hledáte novou práci a chcete, aby o vás lidé mluvili a o úžasných věcech, které dokážete, pak tato kniha nezklame. Takže se pohodlně usaďte, vezměte si šálek nebo sklenici svého oblíbeného nápoje a užijte si skutečnost, že brzy předvedete nemožné."

Stran: 43 - Velikost: A4 (8,25" x 11,7") - Formát PDF - Plnobarevné fotografie

Originální anglický popis

Following the great response from his first book "HORUS" Luca Volpe returns with his second work "NEPHTHYS". In this ebook Luca Volpe has incorporated many psychological aspects and basic methods to create mindblowing experiences that are 100% surefire!! All of the effects come complete with script and performance tips.

Here are the routines that are included in the book:

DOUBLE PREDICTION : An incredible headline prediction with a very clever method! Easy to do and invisible to the spectator!!

PHOTO CONNECTION : You call a spectator on stage and hand him a sealed envelope, you tell him that there is something special inside. You ask him to phone his friend and to pass the phone to you. Once his friend is on the phone, you ask him to name a famous city from anywhere in the world, for example he will answer VENICE. The spectator on stage opens the envelope and finds a photo of VENICE!

DIRECT BOOK TEST (No gimmicked book test) : A spectator is called on stage and you ask him (or her) to choose one of three books (no gimmicked books!) Once he has chosen, you ask him to open at any page he wants and to read the first word on the page. You take a blank business card, write something down and put it on the table. He tells you the word and turns the card to see the exact same word written on it. You ask him to open the book at the same page but to read the last word this time. You take the card that is on the table and on the other blank side you write something, again this word will be exactly correct. You tell him to turn to the page after the one he chose and to read either the first or the last word on this page, without fishing or anything suspicious, you tell him the same word that he is thinking!

SIXTH SENSE REVISITED : Call a spectator on stage, tell him to take a coin behind his back and to hold it in one of his hands, you also do this at the same time. He then brings his hands out in front and you do the same in front of you. Ask the spectator to open the hand that holds the coin and you then reveal that you hold the coin in the same hand as the spectator. You do this 3 times in a row!

REMOTE VISION : The person on the other end of the telephone is asked to imagine a simple image. You then draw something on a piece of paper. Afterwards you take a picture with your mobile phone that you send to him via MMS. The person opens the MMS to find the exact duplication of the image that he was thinking of.

DEJA WORDS : A spectator chooses a random word from a packet of different words under hypnotic suggestion. An envelope, that was present on stage throughout, is opened to reveal the word that was chosen by the spectator. At the end of the experiment the spectator believes to have been hypnotized.

USING THE MONOTONE OF THE VOICE : A tool that will enhance your performance by using the tone of the voice.

Here is the foreword by Alexander Marsh :( http://www.psychomagic.co.uk )

"So, I'm sat here with a lovely mug of warm Tea and no less than three chocolate biscuits. Luca has just sent me a copy of this, his latest work and after reading it I am instantly reminded of how impressed I was the first time I read Luca's work.
He seems to effortlessly combine simple and direct methodology with easily understood plotlines to create an astounding effect on his audience. I encourage you to take note of Luca's work and how he achieves his effects; it's a lesson in keeping things simple, clean and effective. Although there are a couple of close-up and 'in the parlour' effects here, Luca's work really shines when it comes to stage effects. It's a rare treat to find a performer who creates original effects for the stage, let alone publishes them.
An enjoyable element of Luca's writing is that he doesn't waste space by telling you how he thinks you should present each effect. He explains the basic effect as seen by the audience and then takes you through his methods for achieving this - his methods often being the most direct manner to achieve the desired outcome - leaving the window dressing to you and your own unique, interesting style. I know it's become something of a cliche these days but these are effects for the working performer. If your audience rarely changes, i.e. you don't perform often for new audiences whom have never seen you before; then this work may not be for you.
If, on the other hand, you perform regularly for strangers, actively seek new work, and want people to talk about you and the amazing things you can do, then this book will not disappoint. So sit back, grab a cup or glass of your favourite beverage and enjoy the fact that you will soon be performing the impossible."

Pages: 43 - Size: A4 (8.25" x 11.7") - PDF Format - Full Color photographs\n\n

Originální anglický popis

Following the great response from his first book "HORUS" Luca Volpe returns with his second work "NEPHTHYS". In this ebook Luca Volpe has incorporated many psychological aspects and basic methods to create mindblowing experiences that are 100% surefire!! All of the effects come complete with script and performance tips.

Here are the routines that are included in the book:

DOUBLE PREDICTION : An incredible headline prediction with a very clever method! Easy to do and invisible to the spectator!!

PHOTO CONNECTION : You call a spectator on stage and hand him a sealed envelope, you tell him that there is something special inside. You ask him to phone his friend and to pass the phone to you. Once his friend is on the phone, you ask him to name a famous city from anywhere in the world, for example he will answer VENICE. The spectator on stage opens the envelope and finds a photo of VENICE!

DIRECT BOOK TEST (No gimmicked book test) : A spectator is called on stage and you ask him (or her) to choose one of three books (no gimmicked books!) Once he has chosen, you ask him to open at any page he wants and to read the first word on the page. You take a blank business card, write something down and put it on the table. He tells you the word and turns the card to see the exact same word written on it. You ask him to open the book at the same page but to read the last word this time. You take the card that is on the table and on the other blank side you write something, again this word will be exactly correct. You tell him to turn to the page after the one he chose and to read either the first or the last word on this page, without fishing or anything suspicious, you tell him the same word that he is thinking!

SIXTH SENSE REVISITED : Call a spectator on stage, tell him to take a coin behind his back and to hold it in one of his hands, you also do this at the same time. He then brings his hands out in front and you do the same in front of you. Ask the spectator to open the hand that holds the coin and you then reveal that you hold the coin in the same hand as the spectator. You do this 3 times in a row!

REMOTE VISION : The person on the other end of the telephone is asked to imagine a simple image. You then draw something on a piece of paper. Afterwards you take a picture with your mobile phone that you send to him via MMS. The person opens the MMS to find the exact duplication of the image that he was thinking of.

DEJA WORDS : A spectator chooses a random word from a packet of different words under hypnotic suggestion. An envelope, that was present on stage throughout, is opened to reveal the word that was chosen by the spectator. At the end of the experiment the spectator believes to have been hypnotized.

USING THE MONOTONE OF THE VOICE : A tool that will enhance your performance by using the tone of the voice.

Here is the foreword by Alexander Marsh :( http://www.psychomagic.co.uk )

"So, I'm sat here with a lovely mug of warm Tea and no less than three chocolate biscuits. Luca has just sent me a copy of this, his latest work and after reading it I am instantly reminded of how impressed I was the first time I read Luca's work.
He seems to effortlessly combine simple and direct methodology with easily understood plotlines to create an astounding effect on his audience. I encourage you to take note of Luca's work and how he achieves his effects; it's a lesson in keeping things simple, clean and effective. Although there are a couple of close-up and 'in the parlour' effects here, Luca's work really shines when it comes to stage effects. It's a rare treat to find a performer who creates original effects for the stage, let alone publishes them.
An enjoyable element of Luca's writing is that he doesn't waste space by telling you how he thinks you should present each effect. He explains the basic effect as seen by the audience and then takes you through his methods for achieving this - his methods often being the most direct manner to achieve the desired outcome - leaving the window dressing to you and your own unique, interesting style. I know it's become something of a cliche these days but these are effects for the working performer. If your audience rarely changes, i.e. you don't perform often for new audiences whom have never seen you before; then this work may not be for you.
If, on the other hand, you perform regularly for strangers, actively seek new work, and want people to talk about you and the amazing things you can do, then this book will not disappoint. So sit back, grab a cup or glass of your favourite beverage and enjoy the fact that you will soon be performing the impossible."

Pages: 43 - Size: A4 (8.25" x 11.7") - PDF Format -  Full Color photographs